Showing posts with label #lindaboulanger. Show all posts
Showing posts with label #lindaboulanger. Show all posts

Real Life Haunted Castles by Linda Boulanger


It seemed quite fitting as we begin this month of October—a month people enjoy celebrating all things ghoulish, that I would be writing my thirteenth post for Originality by Design. I decided to share with you something I ran across in my writing research that I found rather fascinating: Haunted Castles!



As old as the castles of England are, there are bound to be ghosts in the closets… or more appropriately and historically factual, hiding in cupboards, lurking in darkened stairwells, or wailing from long ago used dungeons or torture chambers.

While there are tons of great castles scattered throughout Europe, I’ve chosen to focus on the castles of England for this post. Except for one, which I’ll start with: Hermitage Castle.

Considered “the guardhouse of the bloodiest valley in Scotland,” Hermitage Castle is said to be steeped in a history filled with conspiracy, killing, anguish and treachery. Built around 1240 by Nicholas de Soulis. Folklore has it that one of his descendants was involved in the Black Arts and that de Soulis made a pact with the devil who promised him immunity from harm by iron weapons or hanging. Wreaking havoc on his enemies, this evil man also tortured his tenants and kidnapped and sacrificed local children, until the people finally turned on him, capturing him and plunging him into a boiling pot… since ropes and steel couldn’t be used.

It’s said his spirit still wanders the grounds, as well as those of his victims. Visitors have been known to hear loud, prolonged screeching, or feel a cold hand run down their backs. The heavy gate swinging on its hinges making one feel as if he or she was being entombed in the vault within the belly of the castle. It’s definitely not a place I’d like to be at night.



Chilling Chillingham: It doesn't look all that dark and foreboading until you learn about its history. Another castle occupying a strategically important location on the border of two feuding nations, this stronghold can be found in the village of Chillingham in the northern part of Northumberland, England. Originally a monastery in the late 12th century, it’s hard to believe the place is marketed as being one of the most haunted castles in Britain. Hundreds of paranormal events have been recorded there, which may be due to the one purpose the castle itself was built: for killing.

Owned by the Grey family (coincidence?!!), the castle was considered the first line of defense against invading Scots. Those taken prisoner were subjected to great horrors in the dungeons located in the deepest darkest holes of the castle. The torture chambers had floors that sloped in order to drain away the blood. It’s estimated that thousands of Scots died in those chambers considered to have come straight from hell. Run by a man by the name of John Sage who was believed to have tortured somewhere around fifty people a week for over three years, he had every imaginable torture device. Iron maidens, racks, cages, and others that can still be found inside the castle today.


The man who committed heinous acts on men, women, and children met his demise in the courtyard of the same castle, being strung and mutilated by the relatives of some of those he tortured.

Having seen so much terror and tragedy, it seems unlikely the castle would not be haunted and visitors are seldom disappointed. Feelings, smells, and apparitions have all been reported as well as pulled hair, scratched arms, and even a bite or two. That said, I’m sorry to say its Ghost Tour dates are completely sold out for 2019.



Let’s jump down and visit Lancaster Castle in the English county of Lancashire. Believed to have been founded on the site of an old Roman fort built in 79 AD, the castle is the oldest standing building in Lancaster. Owned by The Duchy of Lancaster (FYI: the current Queen of England is the Duke of Lancaster), the castle is often referred to as John O’ Gaunt’s Castle. Until 2011, the castle was a fully functioning prison and throughout its history, it saw its share of religious persecutions, well over two hundred executions, and the notorious Pendle witches were kept and tried at Lancaster in 1612. These men and women were part of a family of local peasants that lived in the nearby Pendle hills. Supposedly in league with the devil, they made clay effigies using human hair and teeth, and ten of them were charged with murder using witchcraft and sentenced to death. Political adversaries were also often held at and executed at the castle. Most executions at Lancaster were not as gruesome as the deaths at Chillingham, instead being accomplished first by public hangings and later in a private execution shed built especially for the hangings.

Ghosts from Lancaster's past have been seen numerous times by both visitors and former inmates. Even during the daytime tours, people have been pushed and shoved by unseen forces at such a common rate that the guides have come to expect it. Considering its history, how could anyone expect anything less?


Majestic in size as well as historical significance, is another castle that touts itself as perhaps England’s most haunted castle. Dover Castle, located in the southern county of Kent is considered the “Key to England” the castle had immense strategic importance. It was England’s best line of defense to protect the country from enemies passing through the English Channel. In its time, Dover Castle was a prison, a fortress, and a royal palace with eerie passageways that have been the home to many ghosts, including King Charles. If you’re brave enough, you can spend the night at Dover Castle and take a walk through secret passageways and medieval tunnels. Perhaps you’ll see the ghost of a decapitated drummer boy or the mysterious woman in her crimson dress.




For the last haunted castle we’ll look at, though certainly not the last one in England, we’ll head to Arundel Castle, ancestral home of the dukes of Norfolk in Sussex, England. This castle may be our youngest, dating back to the 19th century… don’t let that fool you. It’s steeped in Medieval history, having been built over the remains of at least one and more likely two previous castles.

From phantom cannon sounds to actual apparitions, this castle is supposedly haunted by numerous ghosts, including the Earl of Arundel (who has appeared to a lot of people), a Blue Man in the library, and a young woman who jumped to her death. The castle is also purported to have its own “death omen” in the form of a phantom white bird that flutters against windows to warn of impending death.



Steeped in history, every castle I’ve studied in my research of Medieval England has had some sort of ghost story. From the hauntingly beautiful to the downright scary, they’ve all added to the richness of and provided deeper glimpses into a past we can only experience through stories and imagination, allowing us into lives of people who lived long ago… and some that remain, perhaps darker and less human than others.


Take a Bow ~by Linda Boulanger


On the heels of a recent announcement that I would be retiring from cover designing, I received notification that one of my designs has reached the Finalist round in the coveted InD'tale Magazine's RONE Awards. So, what's a RONE and why do designers want one? Well, let's look at that...


That's verbatim from the InDescribe RONE Awards site. You can see that they consider the covers to be among the best in book cover designs. A cover has to first be picked from all the covers submitted in a particular time period where it is pitted against other covers. If it makes the cut there in the monthly contest, it is then voted on by the public to decide whether it should be sent to a panel of professional judges who award the prestigious RONE award.

Whew! Just getting to that point where the cover gets sent to the judges' panel is a HUGE honor, and I'm so pleased that Grace Augustine's Secrets of Dalgaard Castle has made it to that level.


It's an awesome story by a wonderful author and the cover is one of my all-time favorite covers to have designed, so I'm super proud of it on many levels. And whether it wins or not, I'm pleased to have been given this opportunity, to be in the running with designers that I am in awe of, and to take a bow on such a positive note as the curtain falls on this particular phase of my life.

This isn't my first finalist badge, and it wouldn't be my first glass trophy from InD'tale if the judges pick my design, but there is the possibility that it could very well be my swan song. I couldn't be more pleased that this honor came at this time.

If you'd like to see the other 2019 RONE Cover Finalists, you'll find them here: https://www.indtale.com/2019-rone-cover-finalists. There are some amazing covers in there with Secrets of Dalgaard Castle tucked in among the Fantasy/Sci Fi category. 

I'd like to end by saying thank you to Grace and to the many authors who have entrusted me with their covers over the years. Giving readers their first glimpse of the story they'll find inside has been such a pleasure. And although I have found myself needing more time to focus on family matters, I also plan to work more on my own writing, so we'll see each other around.

And with that, as Tell~Tale Book Covers, I bid you Adieu.





Making a cover design fit the book AND the author... ~by Linda Boulanger



For this blog post, once again I went to my author group to see what they might be interested in. The majority of them know me as a cover designer as well, so I wasn’t surprised when Chris asked about that. She wanted to know how I come up with my cover designs for different authors and their books, and how I mesh the story line with the book and also the author’s personality or preferences.


The basics of cover design are pretty much the same each and every time.
The process consists of:
1. Gathering information about the story
2. Searching for images that might work (often the longest part of the process)
3. Designing the cover

One thing that I feel makes me different as a designer is that I am what I consider an inspired designer… meaning I have to be inspired to create the piece, just like I do with writing or any other form of artwork. Some designers have their formula and can sit down … 1, 2, 3 … and they have their cover. It’s still work and can be just as time-consuming. I just can’t do it that way, even if I wish sometimes I could.

My process starts by gathering information about the story. I have a questionnaire that I will send an author, though oftentimes I just ask the questions via email. I like having a more informal working relationship because, to me, it’s the best way I know to really dig down and find out what the author wants to see in his or her book cover. That lack of formality also lets me get to know the author and what he/she wants. It creates a friendly atmosphere so that he/she feels comfortable telling me they don’t like something or that they love something, and when they say they love it, I know they really do and we have a cover that is headed in the right direction.


I get a lot of my inspiration from searching through images. I don’t see an image as a whole, but as bits and pieces. It’s kind of like working a puzzle… my mind is constantly taking these bits and trying them this way and that to see how they fit into the creation of a whole new image. Only each piece also has to fit with the information I have gleaned about the story. I think this is what Chris was asking about. How do I gather the information that I use to pull those tiny pieces of the puzzle out to create something that fits together, fits the story, AND fits the author?

 
The answer goes back to that initial email I send back that is filled with … QUESTIONS. Lots and lots of questions. I ask about the book’s characters: hair color and length, eye color, build… anything you can think of about a character, I want to know. I ask about the genre, and also the overall tone of the book. I also want to know if there are any particular scenes that stand out in an author’s mind that would make a reader feel connected. I ask for the blurb, and on occasion (but not often because I am super busy and not a fast reader), I will actually read the book to get a better feel for what the cover needs to convey.

I don’t usually have to read the book. Talking it out (preferably via email so that I have a written copy to look back through for details) is usually all I need and I often start to get a basic cover idea from that very first email. I’ve even conceived a couple of covers in dreams that have ended up being spot on. I love that and say it’s magic. My favorite thing is when an author tells me it’s like I could see the picture they had in their mind.

So, I guess the answer to how I get my cover designs to fit the book AND the author is that every cover I create is inspired by the information I get from each author. Talking a lot with the author, getting a feel for his/her likes and dislikes, and even their personality, or at the least, the tone of the book so that I can grab those bits and pieces of images to put back together in just the right way, is how I make the covers unique for each and every author I work with.

Next month I will continue with the part of Chris’ question where she wanted to know if I had a favorite cover and why. That, along with who is my favorite author, has to be one of the toughest questions I ever have to answer, but you can find out May 5th, right here on Originality by Design.

Boats, Boots, Bikes

Sign at the Stehekin Valley Ranch cookhouse. Good eatin' in Stehekin.   The Stehekin ferry Early this month we vacationed in a location...